Sharing vulva diversity since 2006!
Jamie McCartney is a multi award-winning, professional artist based in the UK, working largely in sculpture and experimental photography. His main interests are the human body and the human condition.
Often socio-political, frequently sexual, his artworks are never dull. A bachelor degree in Experimental Art from Hartford Art School in the USA wasn’t the immediate road to riches he expected, yet for some reason it still informs much of his practice, which leans towards narrative, provocation and absurdity.
He embraces new media and actively collaborates with other artists, scientists and the public. Jamie appears frequently in the world’s media discussing his work, censorship and the power of art as a tool for social change.
Our society would benefit from a more enlightened attitude towards our sexual bodies and artists have a critical voice in that conversation. Viva la Vulvalution!
Jamie McCartney
To fund his experimental art habit and grand schemes such as The Great Wall of Vagina Vulva! Jamie runs a successful, commercial sculpture studio alongside his fine art practice. Specialising in taking moulds from the body to turn into sculptures, the studio produces commissioned artworks for the public and other artists in a huge range of materials including fibreglass, glass, bronze and other metals. This work takes him all over the world and his clients include celebrities, royals and well known billionaires.
The complex moulding and casting processes Jamie uses he learnt during his many years as a prop and model maker and special effects technician in the film industry, working on such films as Casino Royale and V for Vendetta. Prior to that Jamie ran a metal forge, making animal sculptures in steel but it was, “too hot and sweaty, I was constantly burning myself and I stank. So I ran away to join the film biz.”
Born in London’s swinging sixties to an artist mother and engineer father, making things for a living was always on the cards. “I spent my young life in museums and galleries. “When I first saw Dali’s Lobster Telephone I was transfixed. Anything could be art! I knew this art making malarkey had to be my path. In a mad world it’s the only things that made sense.”
As a teen Jamie crewed on MONDCIVITANO, a peace boat in the Atlantic, spreading the concept of world citizenship. Literally learning the ropes of grass roots, direct action, Jamie’s socio-political whistle was also whetted. Soon after that experience, with the tutelage of some highly inspirational and politically motivated art professors at Hartford (Krzysztof Wodiczko, Peter Mclean and Chris Horton) Jamie learnt to combine that passion with his art. He hasn’t looked back.
"You can stop reading if you don't like the words but you can't unsee an image. They get into your mind without your permission. That's their power. That's how art changes the world."
Jamie McCartney